redamancer:

(i am an asian male living in singapore)

people on here pretend that culture is something that ABOSLUTELY NEEDS TO BE PROTECTED AND KEPT BY THEIR RACIAL PROGENITORS BY ALL COSTS

but culture has always fucking been about sharing, even when people were screwed over

if you live in a western country, have never been outside it, and have never empirically experienced how other cultures share themselves with people then please stop talking about ‘appropriation’

cultures share each other. they don’t share everything about themselves, but things are shared. especially in asia, fuck dude, we are all about sharing.

the question most people ask my country when you meet with them is ‘have you eaten’. because we love food. we love sharing food. when westerners come we want to show them all we have because there is something magical about sharing who you and your people are with someone

historically that has been taken advantage of but we’re at a point where if someone tries to exploit you it can be called out and taken down

no one gives a shit if you do yoga, subscribe to buddhism,

hell one of my monks lives here and he’s white from chicago? and he lives in the temple with everyone else and they all respect and love each other

what? you’ve never been to a buddhist temple? you’ve never even talked to a fucking monk? you haven’t eaten with them and laughed and understood that it’s about love, sharing, and togetherness rather than going ‘fuck off whitey’?

then shut the fuck up

(via ashelisms)

fishingboatproceeds:

1. Shailene Woodley is a brilliant actress and Golden Globe nominee. I cannot think of any 18-year-old actress who has received the kind of critical acclaim that she has (she also won an Independent Spirit Award). 
She auditioned for The Fault in Our Stars not because she needs the part (I mean, she’s in the new Spider Man movie, for God’s sakes) but because she loves the book. Her depth of understanding were immediately obvious in the audition and for me there could be no one else to play Hazel. (There were a bunch of really good auditions, but Shailene just understood Hazel as I imagined her.)
I am not particularly concerned with physical looks; Hollywood can fix that stuff. (Remember when Nicole Kidman became Virginia Woolf?) I’m concerned with whether she can embody the voice and experience and life of Hazel. She can.
2. Ansel Elgort is also a huge fan of TFiOS (it is, in fact, his favorite book). He was a high school basketball player who also happens to be a very intellectual guy. Most importantly, when he auditioned, he became Augustus. Watching him audition with Shailene, he was just Gus and she was just Hazel. He understood Gus, and clearly had a very deep and thoughtful relationship with the book. Honestly, I’m a bit confused as to how you can dislike an actor whose work you have definitionally never seen, since his first movie isn’t out yet.
3. Novelists do not cast movies, so these were not my decisions (although I did have a lot of input). But I’m defending them because I think they’re both perfect for their parts (and I’d tell you if I felt otherwise).
4. There seems to be some concern that Ansel and Shailene are playing siblings in a different movie. I guess I can understand that, but they’re actors. They can play different roles. They’ll look different and act different and be different. I mean, no one watched Silver Linings Playbook and thought, “When did Katniss move to the suburbs of Philadelphia?”
If the movie works, you’ll sit down in the theater and you won’t say, “Oh look it’s Shailene Woodley,” or, “Oh, look, it’s Tris from Divergent.” You’ll say, “Holy wow Hazel Grace.”

fishingboatproceeds:

1. Shailene Woodley is a brilliant actress and Golden Globe nominee. I cannot think of any 18-year-old actress who has received the kind of critical acclaim that she has (she also won an Independent Spirit Award).

She auditioned for The Fault in Our Stars not because she needs the part (I mean, she’s in the new Spider Man movie, for God’s sakes) but because she loves the book. Her depth of understanding were immediately obvious in the audition and for me there could be no one else to play Hazel. (There were a bunch of really good auditions, but Shailene just understood Hazel as I imagined her.)

I am not particularly concerned with physical looks; Hollywood can fix that stuff. (Remember when Nicole Kidman became Virginia Woolf?) I’m concerned with whether she can embody the voice and experience and life of Hazel. She can.

2. Ansel Elgort is also a huge fan of TFiOS (it is, in fact, his favorite book). He was a high school basketball player who also happens to be a very intellectual guy. Most importantly, when he auditioned, he became Augustus. Watching him audition with Shailene, he was just Gus and she was just Hazel. He understood Gus, and clearly had a very deep and thoughtful relationship with the book. Honestly, I’m a bit confused as to how you can dislike an actor whose work you have definitionally never seen, since his first movie isn’t out yet.

3. Novelists do not cast movies, so these were not my decisions (although I did have a lot of input). But I’m defending them because I think they’re both perfect for their parts (and I’d tell you if I felt otherwise).

4. There seems to be some concern that Ansel and Shailene are playing siblings in a different movie. I guess I can understand that, but they’re actors. They can play different roles. They’ll look different and act different and be different. I mean, no one watched Silver Linings Playbook and thought, “When did Katniss move to the suburbs of Philadelphia?”

If the movie works, you’ll sit down in the theater and you won’t say, “Oh look it’s Shailene Woodley,” or, “Oh, look, it’s Tris from Divergent.” You’ll say, “Holy wow Hazel Grace.”

When your ruling political party has ‘Be grateful for what we have given you and vote for us’ as a slogan on the posters for their elections campaign, you know there’s a problem.

littlefuckinglesbian:

jawdust:

where is this guy’s blockbuster movie

hero.

littlefuckinglesbian:

jawdust:

where is this guy’s blockbuster movie

hero.

(via ashelisms)

It turns out procrastination is not typically a function of laziness, apathy or work ethic as it is often regarded to be. It’s a neurotic self-defense behavior that develops to protect a person’s sense of self-worth.

You see, procrastinators tend to be people who have, for whatever reason, developed to perceive an unusually strong association between their performance and their value as a person. This makes failure or criticism disproportionately painful, which leads naturally to hesitancy when it comes to the prospect of doing anything that reflects their ability — which is pretty much everything.

But in real life, you can’t avoid doing things. We have to earn a living, do our taxes, have difficult conversations sometimes. Human life requires confronting uncertainty and risk, so pressure mounts. Procrastination gives a person a temporary hit of relief from this pressure of “having to do” things, which is a self-rewarding behavior. So it continues and becomes the normal way to respond to these pressures.

Particularly prone to serious procrastination problems are children who grew up with unusually high expectations placed on them. Their older siblings may have been high achievers, leaving big shoes to fill, or their parents may have had neurotic and inhuman expectations of their own, or else they exhibited exceptional talents early on, and thereafter “average” performances were met with concern and suspicion from parents and teachers.

David Cain, “Procrastination Is Not Laziness” (via sociolab)

(via bookthieving)

Today’s rage of the day: idiot lady calls skinny girls fat. Click the image for more.

Today’s rage of the day: idiot lady calls skinny girls fat. Click the image for more.

instagram:

Exploring the Dream Worlds of Os Gêmeos

Brazilian artists Octavio & Gustavo Pandolfo, identical twin brothers who create painted works together, are known under the moniker Os Gêmeos (@osgemeos), Portuguese for “The Twins.” Their distinct style features yellow-skinned, skinny caricatures that come from dreams they say they have both experienced. The twins’ stunning dream-world-to-real-world collaborative style was influenced by artistic family members in addition to traditional hip-hop culture and the Brazilian pixação movement in the late eighties.

Os Gêmeos have hosted exhibitions at the Los Angeles MoCA, The Museum of Contemporary Art San Diego, Dépayz’arts in France and Museu Colecção Berardo in Lisbon, just to name a few. In addition, their street art can be found in Berlin, New York, Portugal, Florida, London and across Brazil. Follow the progress of many pieces and murals through their Instagram account at http://instagram.com/osgemeos.

I wanted to mess with fonts and be funny at the same time, okay?
Photo

I wanted to mess with fonts and be funny at the same time, okay?

Photo

THIS WEATHER

ashelisms:

I JUST

A few feet away from being struck by lightning. I mean

Yes seriously.

I was.

Not joking.

I was just waiting there, for my brother, just finishing playing Doodle Jump and staring out into the distance

And then

BOOM

Momentarily blinded by light, and heard a very loud gun-shot like sound, and then when I turned around, there was smoke on the ground

I.

Ok.

image

And this is how you must feel right now.

I’m glad that you’re alive.

You know that song that you really like on the Nikon commercials they show in the cinema?

Welcome Home, Son - Radical Face

‘Only Wanna Dance With You’ by Ke$ha feat. The StrokesKe$ha’s new song with The Strokes is kinda pretty good.

‘Only Wanna Dance With You’ by Ke$ha feat. The Strokes
Ke$ha’s new song with The Strokes is kinda pretty good.

househarris:

penguinsledding:

Regardless of your opinion on the Harry Potter books (I’ve been madly in love with them since way back in elementary), you should watch this video. Be sure to actually listen to the poet and not immediately jump to the defense of the books that you love. It’s okay to love something and acknowledge that it has flaws. 

Watch it, it’s absolutely brilliant.

I agree with a lot of what she’s saying, and she’s a really good speaker (save for the Dumbledore part— what, is every gay character supposed to outright act a certain way? The fact that it’s not an important part of the story is a good thing; gay characters are being normalised and not being defined by their sexuality.) but I want to point out one thing.

J.K. is a white lady. If she wrote a more detailed backstory/made Cho Chang a detailed character then she would have probably made some errors, for which she would be called out for ‘disrespecting cultures/appropriation’. There’s no winning here.

Another thing to note is that England is a country that’s 90% white. The representation in the books is pretty fair. 

Also: you can’t pull the white card on me on account of my being a 17 year-old Malay kid in Malaysia.

The fact that she’s white is a pretty good pass for why she chose to make the developed characters white; she’s white and she’s most comfortable writing about white characters. Better keep to what she knows than offend by getting something wrong.

(via bookthieving)

nolan-kane:

Codex Seraphinianus, 1976-1978

‘The Codex Seraphinianus is a book written and illustrated by Italian artist, architect and industrial designer Luigi Serafini, from 1976 to 1978. The book appears to be a visual encyclopedia of an unknown world, written in one of its languages, an alphabetic writing intended to be meaningless.’

Wikipedia

source

This is fairly cool.

(via ashelisms)

‘I’ve Got What It Takes’ by Alex DayAlex Day’s ‘I’ve Got What It Takes’ is stuck in my head and has been for the past two days.

‘I’ve Got What It Takes’ by Alex Day
Alex Day’s ‘I’ve Got What It Takes’ is stuck in my head and has been for the past two days.

I'm probably not as smart as I think I am. Yet.

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